printThe Quiet Art of Cartooning, by Seth
by Meriadoc
There is something very lovely about the stillness of a comic book page. That austere stacked grid of boxes. The little people trapped in time. Its frozen and silent nature acting almost as a counterpoint to the raucous vulgarity of the modern aesthetic. Of course, the drawings aren’t really frozen. When we look at them, we immediately invest them with life. That little ink world pops into life as our eyes move across the drawings. I actually find it very difficult to look at a cartoon and hold on to the stillness. The essence of the cartoon language carries a kind of animation with it. This is true even with a single drawing, but it is especially evident when one panel is placed next to another. That juxtaposition creates a tension that implies motion and time. This illusion is one of the medium’s primary charms.