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I loved the septuplet (do people dare say the proper "sextuplet", nowadays?) groove. The snare ghost notes! The outro buildup was probably my favorite part. Really good, dude. My high school friends and I used to live on triplet/sixteenth timescales together when we practiced the Blue Devils' "Ditty". Classic case of when a jargon gets hijacked. Really did enjoy your track, though :). I'm finally making new material again, it feels perhaps too good. My main problem is overcompressing everything. Separating volume from timbre. P.S. Have you ever heard of Louis Cole and/or the band "KNOWER"? P.P.S. Made a post: