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It's more about the industry at large than individual players; I think he mentions how Wood went out but it wasn't an important thing. Hadju spends more time on what a bundle of bizarre Charles Moulton was... and how the latent sadomasochistic and homoerotic undertones of his work influenced comics the same way Rob Halford's gayboy leather chic influenced heavy metal. Prior to EC comics toning Wonder Woman down, Moulton's first instinct was black patent leather and fishnets. That is the comic book movie I wanna see.